Kathryn the great Kathryn the great

Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.

Anime sante degli avi Anime sante degli avi

Madama Butterfly confronts anime, virtual reality, and weeaboos in Matthew Ozawa‘s bold production at the Lyric Opera of Chicago.

A shtetl aesthetic A shtetl aesthetic

Austin Opera’s moving production of Fiddler on the Roof grounds itself in lived tradition, to great effect.

Staring into the abbess Staring into the abbess

Dan Johnson gives an inside look at the creation of Sarah Kirkland Snider‘s rapturous new opera Hildegard which opens at New York’s PROTOTYPE Festival next week.

The open wound that will never heal The open wound that will never heal

In his new production that opens at San Francisco Opera this weekend, Matthew Ozawa is creating a Parsifal for the cancel culture age.

Purple pros Purple pros

On Friday, June 21st, Opera Parallèle – the Bay Area nomadic, contemporary opera company – together with the Presidio Theatre unveiled their final production of the season, the West Coast premiere of Gregory Spears and Greg Pierce’s Fellow Travelers, an adaptation of Thomas Mallon’s 2007 novel of the same name.

One that was a woman One that was a woman

Earlier this month the opera world was stunned to learn of the death of Belgian soprano Jodie Devos who died of breast cancer at just 35, and Chris’s Cache remembers her with a broadcast from last November of Devos as Ophélie in Hamlet, her only US appearance.

Jailhouse Roccos Jailhouse Roccos

Chris’s Cache wraps up November with Régine Crespin’s Chicago Leonore; two rare Met Fidelios headed by Christa Ludwig and Hildegard Behrens; and a concert performance with Birgit Nilsson led by Leonard Bernstein, plus a final twist: excerpts of Carol Vaness in Leonore.

Return of the Merolini Return of the Merolini

On June 16, San Francisco Opera concluded their excellent Centennial Season with a heartfelt 100th Anniversary Concert, featuring a starry cast, three conductors (including current and former Music Directors) and the SF Opera Orchestra and Chorus.

Act two Act two

Chris’s Cache sends Renata Scotto a valentine ahead of her 89th birthday next week with rare in-house recordings of eight (!) mid-career performances spanning 1971-1977.

Patience and fortitude Patience and fortitude

Gregory Spears’ latest opera Castor and Patience, with a libretto by former US Poet Laureate and Pulitzer Prize-winner Tracy K. Smith, was commissioned by Cincinnati Opera to celebrate its centennial season in 2020.

Dies irae, dies illa Dies irae, dies illa

Trove Thursday offers Mozart’s Requiem with Lucia Popp, Christa Ludwig, Peter Schreier and Walter Berry conducted by James Levine from the 1981 Salzburg Festival.

Songs of innocence Songs of innocence

Blind Injustice is a masterpiece, brilliant theater.

I had too much to dream last night I had too much to dream last night

Erich Wolfgang Korngold’s Die Tote Stadt in a 1967 Vienna broadcast appropriately featuring three American stars: John Alexander, Marilyn Zschau, and George London.

Thanks for scaring Thanks for scaring

I found Fellow Travelers intellectually and politically riveting, musically thrilling, and profoundly moving. It was a triumph. 

Purple hearts Purple hearts

Composer Gregory Spears is a unique example of this maxim that one must be “deeply rooted in tradition in order to innovate with integrity.”

Stage struck Stage struck

“Trove Thursday” presents a performance from 40 years ago: an inspired Renata Scotto as Cilea’s Adriana Lecouvreur.

Three sisters who are not sisters Three sisters who are not sisters

Due to bandwidth limits “Trove Thursday” must post some more modest offerings in months with five Thursdays.

Cruise, control Cruise, control

Cincinnati Opera presented the world premiere Fellow Travelers Friday and I’m here to tell you that not only does the opera have legs, it has balls.

Midwestern union Midwestern union

This past Tuesday, Cincinnati Opera presented its first world premiere in over 50 years with Morning Star by Ricky Ian Gordon and William Hoffman.

Duel exposure

Nathan Gunn (not really pictured) made his debut as Eugene Onegin in Cincinnati Opera’s production of Tchaikovsky’s opera  last night. He certainly has the physicality for the part and the vocal potential. In this performance he sang well and expressively but without the heft to fully project over the orchestra.

opera queen in queen city

[La Cieca is happy to present a guest review by Our Own Lindoro Almaviva.] Cincinnati Opera makes a good case for the 4 act version of Don Carlo. I think it is a great idea that they used projected titles to give us the background of the opera (since we lose the Fontainebleau scene). This…