Renée Fleming presented a satisfyingly eclectic and quietly daring program of songs and arias, an interesting timestamp on a career that, despite its crepuscular vibe, seems as active as ever.
Of all Handel’s oratorios, Semele begs most to be staged.
The advance publicity about Zhang Huan’s production of Handel’s luscious Semele currently having its US premiere at the Brooklyn Academy of Music prominently featured a provocative claim.
In recent years the enterprising Dell’Arte Opera Ensemble has brightened the usually arid weeks of August in New York City with some worthy operatic showcases for young singers.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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