The replacements
Second casts in Don Giovanni and Turandot at the Metropolitan Opera offer mixed blessings.
16 pieces since 2007 — in 13 roles, at 6 companies, most often at Metropolitan Opera.
7 pieces as Metropolitan Opera — stats above show all coverage for Vitalij Kowaljow.
View allSecond casts in Don Giovanni and Turandot at the Metropolitan Opera offer mixed blessings.
When Angela Meade and Michael Fabiano first sang Lucia together as students at AVA few would have predicted that they would go on to sing Turandot 16 years later.
From a musical perspective, the evening came together admirably. As a work of theater, though, it was as stale as last week’s takeout.
Iolanta was crowned on Thursday evening by Sonya Yoncheva’s haunting portrayal of the blind title character.
At tonight’s performance of Aida at the Met, the Triumphal Scene horses suddenly panicked and tried to bolt from the stage. I can’t say I blame them.
Lucia di Lammermoor, a bloody story of a young woman’s mental degeneracy amidst feuding families, remains Donizetti’s most popular exploration of the landscape and culture of Britain.
Last night’s season premiere of Norma at the Met restored Bellini’s opera to musical and vocal distinction but the dramatic fire was burning only fitfully. Hasmik Papian is a hugely experienced Norma who some consider to be the best contemporary exponent of the role. But the key word here is contemporary not best. Her voice […]
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