Lombarding along
In Handel’s Rodelinda, a usurped monarch, believed dead, returns to avenge his deposition and reclaim the woman he loves.
7 pieces since 2022 — in 7 roles, at 5 companies, most often at Metropolitan Opera.
In Handel’s Rodelinda, a usurped monarch, believed dead, returns to avenge his deposition and reclaim the woman he loves.
A muted and merry carousel ride out of feudalism in the Met’s production of Le nozze di Figaro
An exciting cast digs their claws into a heady production of La Calisto at the Théâtre des Champs Elysées.
Rodrigo is a ball-breaking role, but Lawrence Brownlee makes the demands sound easy—tossing in additional high notes and audaciously decorating cabalettas as if it were the easiest thing in the world.
Akhnaten has lost none of its power or glitz at the Los Angeles Opera.
The Amazing Adventures of Kavalier & Clay was, somehow, a fun night at the opera—just not one that felt specifically operatic.
Ilana Walder-Biesanz reports from The Santa Fe Opera, where Tobias Picker‘s latest opera falls short, a new Rodelinda scintillates, and sumptuous singing abounds across the entire repertoire.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.