Dames and divas Dames and divas

The Eloquence label of Australia, the down under-arm of Decca and now by extension Deutsche Grammophon, seems to specialize in the re-release of “Auld Lang Syne” treats.

Water, logged Water, logged

So, how excited are you to read another piece about the Mary Zimmerman Rusalka?

The right box The right box

Let’s call this meeting to order. My name is Patrick and I’m a boxset-aholic.

Scritto in ciel Scritto in ciel

In our circle, Mexico City in the summer was the opera capital of the world from the late 1940s and early 1950.

Il core vi dono Il core vi dono

With February 14th falling on a Sunday, there will be no Valentine’s Day Met performance this year.

Rescue me Rescue me

Fidelio but with an unhappy ending, Bedrich Smetana’s stirring Dalibor opens 2016’s “Trove Thursday” in a 1968 German-language broadcast from Bavarian Radio.

Mais nous voyons à nouveau La Carmencita Mais nous voyons à nouveau La Carmencita

The opening night of the Metropolitan Opera of September 1972 was supposed to be the dawn of a new era.

Auto-da-fair Auto-da-fair

The Salzburg Festival has long had the image of this place where for a little over a month, the very best singers are brought together with the very best conductors and the very best directors to create the very best productions the opera world has to offer.

See the pretty diva in that mirror there See the pretty diva in that mirror there

The diva must be a Diva in Adriana Lecouvreur. Fact.

Le déjeuner sans l’herb

Five decades before the Met turned to computer-assisted planks to help tell the story of Wagner’s Ring cycle,  the company stirred controversy and comment with another staging of the tetralogy. General Manager Rudolf Bing imported a stark, abstract production from the Salzburg Festival in order to secure the services of Herbert von Karajan, who not…

Lavender lady

According to Mary Garden’s autobiography, Claude Debussy first encountered the Scottish-born diva at the Opéra Comique.  After rehearsing her at the piano in a few scenes from his newly completed opera, Debussy said to Garden:  “To think that you had to come from the cold far North to create my Mélisande.”  He then turned to…

Four saints in five acts

A quintessential theater man as well as a brilliant conductor, James Levine rightfully chose not only the five-act version of Don Carlo for this 1980 performance but begins the opera as Verdi had originally conceived it. The Woodcutters chorus and the episode in which Elisabetta gives her necklace to a destitute woman are pages essential to…

in the dark about the park

In what La Cieca hopes may be a quiet voice of reason, or, failing that, just for the sake of clarity, she would like to quote from the press release announcing the Met’s program for the summer of 2008. “We are trying something new this summer, which we think will be especially appealing to all…

Avant-garde

Well, it had to happen sooner or later, and so it did happen, sometime between last night and tonight. La Cieca has decided she’s taking Roberto Alagna‘s side in The Scandale. Yes, yes, La Cieca hears your gasps and snorts of disbelief and contempt, but you know, cher public, La Cieca is, deep in her…

Tough guy

Joseph Volpe‘s memoir The Toughest Show on Earth (see, La Cieca can get the title right when she wants too) is a book about a working-class kid from Queens who wanted to be Rudolf Bing when he grew up. Or, rather, it’s about a stage carpenter who was bright enough and ambitious enough to do…