Thoughts on Andrea Chénier: the greats
Quite simply, the singers are not around today who are steeped in the tradition of verismo, or for that matter the later part of the 19th century.
20 pieces since 2013 — in 8 roles, at 1 company, most often at Metropolitan Opera.
Quite simply, the singers are not around today who are steeped in the tradition of verismo, or for that matter the later part of the 19th century.
This week, Chris’s Cache offers a performance of Follies from 2007 featuring Lucine Amara as a rarely richly sung Heidi alongside Donna Murphy and Victoria Clark.
Doing my research for these “thoughts” ahead of a starry revival in London that opened yesterday, I came across the following review for the Opening Night of the 1962-63 Season.
It’s time to discuss Zinka Milanov.
Let’s call this meeting to order. My name is Patrick and I’m a boxset-aholic.
Chris’s Cache celebrates an “Easter in October” gala with five special pirate recordings of Cavalleria Rusticana from the Met featuring four prima donnas whose Santuzze never got a Saturday broadcast and one whose did: Giulietta Simionato, Fiorenza Cossotto, Régine Crespin, Rita Hunter and Mignon Dunn.
Cavalleria Rusticana began Pietro Mascagni’s career with a bang, and despite a number of fine subsequent works the composer never again achieved the same lasting success that he had with his first.
I’ve always had a certain affection for Roberto Alagna.
Well, “extreme” is such an, oh, how shall I put it… extreme word, my dears; really La Cieca is no more than the humble intermediary here between Mike Richter‘s CD-ROMs and you, the cher public. This time our treat from the trove is Eugene Onegin, a selection from his disc devoted to the Metropolitan Opera […]
As said at the beginning, I implied I’d rather see Don Carlo(s) and listen to Forza.
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