One that was a woman One that was a woman

Earlier this month the opera world was stunned to learn of the death of Belgian soprano Jodie Devos who died of breast cancer at just 35, and Chris’s Cache remembers her with a broadcast from last November of Devos as Ophélie in Hamlet, her only US appearance.

Hopelessly human Hopelessly human

The Boston Symphony and Alban Berg’s “Wir arme Leut” spread musical riches at Carnegie Hall.

You better sit down kids You better sit down kids

If Sunday’s performance of Magic Flute at the Met demonstrated one thing, it is that opera targeted at children must be just as good as (if not better than) opera targeted at adults.

Baby the rain must fall Baby the rain must fall

As Brünnhilde invokes the gods of an empty Valhalla for one last time and strides confidently into a wall of flame, we pause for a moment, unsure of what will follow.

A choice, not an ecosystem A choice, not an ecosystem

Washington National Opera’s first Ring Cycle came to a bittersweet conclusion this past Sunday, closing the door on an extraordinary three weeks in the opera house and a remarkable musical and theatrical achievement for the company.

Burden of gilt Burden of gilt

Happily, this Rheingold, which returned to the Kennedy Center Saturday night to open the first of three complete cycles, has been shorn of its clumsier gestures.

Destination moon Destination moon

The legend of the mermaid is ancient, and recently scientists have theorized that these legends might have arisen when humans encountered marine mammals such as whales, seals, or sea lions.

Walvater knows best Walvater knows best

There is a mighty appetite among both old Wagnerians and new ones to see a Ring that follows—if not too slavishly—the scenic requests of the libretto.

Bark, not Bayreuth Bark, not Bayreuth

Is Der Ring des Nibelungen responsible for the transformation of Seattle from a gray, damp, low-rise Boeing company town where half the jokes had punchlines in Norwegian (and were about lutefisk in any case) into today's booming cultural metropolis? I like to think so.

Queen of the Maybe Queen of the Maybe

“I didn’t think anything could be campier than Adriana. But this is nothing but camp. Adriana at least has tunes.”

Enfin, elle est en notre présence Enfin, elle est en notre présence

Almost exactly one hundred years ago on March 18, 1912, the Metropolitan Opera gave its final performance to date of Armide.