A winner and new ‘Champion’
To paraphrase Terence Blanchard’s Champion, what makes an opera an opera?
17 pieces since 2009 — in 12 roles, at 8 companies, most often at Metropolitan Opera.
6 pieces as Metropolitan Opera — stats above show all coverage for Paul Groves.
View allTo paraphrase Terence Blanchard’s Champion, what makes an opera an opera?
The most distinct pleasure of The Merry Widow at the Metropolitan Opera was the polished, yet warm, performance of Susan Graham as Hanna Glawari.
This Met’s second production of Berg’s 1935 opera was the hot topic of November 2015.
Unlike my friend Greg Freed, who entertainingly wrote of his ambivalence about seeing Il trovatore in a movie theater this season, I have embraced the Met Live in HD transmissions as a part of the modern operagoing experience.
Lilith. Pandora. Circe. Salome. “La Belle Dame sans Merci.” Carmen. Brigid O’Shaughnessy: the eternal “femme fatale” still fascinates us.
James Levine: Celebrating 40 Years at the Met includes not only unreleased video performances on DVD but also live radio broadcasts on CD. This performance is one of the latter, originally heard April 19, 2003. The Rake’s Progress has one of the greatest operatic pedigrees of all time. It was inspired by a series of […]
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