A farewell to Frisell
Old opera productions at the end of their performing life can be sad affairs.
8 pieces since 2018 — in 4 roles, at 1 company, most often at Metropolitan Opera.
Old opera productions at the end of their performing life can be sad affairs.
Step aside, Texas: “Everything is bigger at Aida” is the motto of the Met’s second attempt at retiring Sonja Frisell’s colossal production.
Sondra Radvanovsky returned for her 29th Met Aïda Thursday night (but only her second Aïda.)
Il trovatore may be famous for its melodramatic plot and unlikely mistaken identities, but surely even Verdi and Cammarano couldn’t have imagined the chaos of a performance featuring two Manricos and two Leonoras.
Are today’s stars enough to sustain Andrea Chénier?
Dmitry Matvienko led a performance of Mussorgsky and Shostakovich at La Monnaie with meticulous rectitude.
On October 20th, a wet but warmish Friday night, the Metropolitan Opera opened this season’s revival of Verdi’s Un Ballo in Maschera in David Alden’s 2012 production.
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