I’m still thinking about John Dexter’s I vespri siciliani
My first reaction in 1974 wasn’t good. The production was full of stairs, and I was afraid Montserrat Caballé would fall at any moment.
151 pieces since 2005 — in 27 roles, at 10 companies, most often at Metropolitan Opera.
13 pieces as Metropolitan Opera — stats above show all coverage for Montserrat Caballé.
View allMy first reaction in 1974 wasn’t good. The production was full of stairs, and I was afraid Montserrat Caballé would fall at any moment.
Prompted by Washington Concert Opera’s upcoming Luisa Miller, Chris Cache’s misbehaves five times by offering just the opera’s final act with sopranos from the 1970s, some of whom might be considered “under-appreciated”: Gabriella Tucci, Adriana Maliponte, Renata Scotto, Gilda Cruz-Romo, and Katia Ricciarelli.
Given the keen interest in recent posts of Met pirates of Montserrat Caballé in Verdi, Chris’s Cache concludes its trio with the Spanish soprano’s Met Violetta, along with additional Met in-house recordings of Virginia Zeani, Pilar Lorengar, Jeanette Pilou, and Joan Sutherland as Verdi’s doomed courtesan.
Anticipating the first new local Aïda in thirty-six years, Chris’s Cache revisits Verdi’s popular opera in four unusually interesting in-house recordings from the Met 1961-1976.
When asked to express some “thoughts” here about Verdi’s Il trovatore, my immediate thought was “hmm… not a lot to think about there.”
On this day in 1965 Montserrat Caballé and Sherrill Milnes made their Metropolitan Opera debuts in Faust.
Erich Wolfgang Korngold’s Die Tote Stadt in a 1967 Vienna broadcast appropriately featuring three American stars: John Alexander, Marilyn Zschau, and George London.
“Trove Thursday” keeps the evil deeds going this All Saints’s Day with a vintage La Scala broadcast of Arrigo Boito’s only completed opera Mefistofele.
Opening night of La Scala in 1962 with Franco Corelli, Antonietta Stella, Fiorenza Cossotto, Ettore Bastianini, and Ivo Vinco.
Let’s call this meeting to order. My name is Patrick and I’m a boxset-aholic.
Our Own Jungfer Marianne Leitmetzerin celebrates tonight’s opening of the season at the Met with an opening night from the past: a 1967 performance of La traviata.
Yes, the plot of Luisa Miller is a novella, and a pleasantly juicy one at that.
La Cieca was just wondering about something yesterday on opera-l, and doggone if Anne Midgette wasn’t wondering about the same thing today in the New York Times. (That woman haunts my dreams, I tell you. It’s like she’s inside my head. Now, where was I? Oh, yes…) The point that dear Anne and I (among […]
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