Gonna build a heaven from a little hell
Tobias Kratzer‘s Das Rheingold in Munich kicks off a Ring for the post-secular age
Martin Winkler
7 pieces since 2013 — in 5 roles, at 4 companies, most often at Metropolitan Opera.
7
pieces
5
roles
4
companies
14
years
By role
Role Alberich
No one who speaks German could be an evil man
If Frank Castorf‘s work on Der Ring des Nibelungen at Bayreuth accomplishes nothing else, it should serve as a sort of loud disorganized reminder of the dangers of indulging in the intentional fallacy.
Ring? What ring?
All right, I admit it; I finally broke down and read the program notes for the Ring in the Bayreuth program book.
Role Animal Tamer/Acrobat
Half a million marks
Unlike my friend Greg Freed, who entertainingly wrote of his ambivalence about seeing Il trovatore in a movie theater this season, I have embraced the Met Live in HD transmissions as a part of the modern operagoing experience.
Role Animal Trainer; Acrobat
Cherchez la femme (fatale)
Lilith. Pandora. Circe. Salome. “La Belle Dame sans Merci.” Carmen. Brigid O’Shaughnessy: the eternal “femme fatale” still fascinates us.
The leggy movie
This Met’s second production of Berg’s 1935 opera was the hot topic of November 2015.
Role Waldner
Critic in crinoline
About this evening: the opera we saw was Arabella, written by a gentleman named Mr. Richard Strauss.
By Ivy Lin