Promising young women Promising young women

Ahead of her return to the Met, soprano Corinne Winters chats with Kevin Ng about her repertoire, overcoming biases about her voice type, and how she plans to play “energetic, young women” as long as she can.

Character is destiny Character is destiny

La forza del destino concluded its run at the Metropolitan Opera with a significant cast change.

The commendatore effect The commendatore effect

In an ingenious stroke of double casting, the Met’s new Forza del destino brings back the Marquis of Calatrava—father of the heroine Leonora, unintentionally killed in the opening scene by a bullet from her lover’s pistol—as Padre Guardiano, Father Superior of the monastery that will take her under its protection as a hermit in Act 2.

Destiny’s child Destiny’s child

While you may need to bring along your Dramamine, the Met’s new production of La forza del destino, does—eventually—spin fast enough to achieve escape velocity.

Early onset dementia Early onset dementia

Nothing says “diva” like an insane recital program.

Skeleton key Skeleton key

Tchaikovsky’s Iolanta and Bartók’s Bluebeard’s Castle both use themes of vision and revelation to ask compelling questions about knowledge, responsibility, and gender. 

Reach out in the darkness Reach out in the darkness

Iolanta was crowned on Thursday evening by Sonya Yoncheva’s haunting portrayal of the blind title character.

Stage struck Stage struck

“Trove Thursday” presents a performance from 40 years ago: an inspired Renata Scotto as Cilea’s Adriana Lecouvreur.

And the villain still pursued her And the villain still pursued her

Bard College presented a semi-staged concert of Halka on Saturday evening as part of its impressively wide-ranging two-week “Chopin and his World” festival.

Stage beauty Stage beauty

>What does a great opera production do, and what does a bad production fail to do?

No view from the bridge No view from the bridge

Mariusz Trelinski unveiled a rather gloomy, though musically satisfying, Tristan und Isolde.

Ice storm Ice storm

Two months after my last visit to this season’s sixteen-performance run of Puccini’s Turandot, I returned eager to witness the latest chapter in the sporadic Met career of Nina Stemme. Rising stars Anita Hartig and Alexander Tsymbalyuk also appeared in their roles for the first time at the Met, so Monday evening turned into a…

Night and dreams Night and dreams

At the Opernhaus Zürich, the coat check is not optional.

Door to door Door to door

The Met’s planned premiere of Iolanta/Bluebeard’s Castle was cancelled due to the Great Blizzard That Wasn’t.