San Francisco Opera opened their 2018-19 Season Friday with a double bill of Italian verismo operas, Cavalleria rusticana and Pagliacci, which made a welcome return to War Memorial Opera House after 15 years.
How Verdi’s opera might address this particular nightmare was unclear.
Two months after my last visit to this season’s sixteen-performance run of Puccini’s Turandot, I returned eager to witness the latest chapter in the sporadic Met career of Nina Stemme. Rising stars Anita Hartig and Alexander Tsymbalyuk also appeared in their roles for the first time at the Met, so Monday evening turned into a…
On Thursday evening Jennifer Wilson “finally” made a belated, disappointing Met debut as Turandot.
LA Opera opened their 30th season with a pairing of two of their most popular productions, both of which were initially staged by filmmakers not unfamiliar with the vagaries of our industry outpost here in Hollywoodland.
At the Opernhaus Zürich, the coat check is not optional.
“There it is! The Castel Sant’ Angelo!”
Far be it from me to join the Schadenfreudian chorus of “Bye, Bye, Berti!” you may have been hearing in certain quarters, but the first thing I am duty-bound to report about San Francisco Opera’s Norma (of which three performances remain) is that they’ve hit the jackpot, coverwise.
f you like opera to look like a museum, the Arena di Verona’s latest video of Aida should jump to the top of your wish list.
This DVD of Ernani is part of a series from the Teatro di Parma, a “Tutto Verdi” collection recently produced by Unitel Classica.
I’m sure I do not need to tell the mostly New-York based readers of parterre this, but Turandot is an opera that can really be turned into a pageant. Not that that’s a bad thing. It is, after all a fairy tale, and so when directors attempt to delve deep into the psychology of Puccini’s…
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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