The revolution will be digitized
The (R)evolution of Steve Jobs at the Kennedy Center: not a poorly made opera, but so relentlessly mid.
Lidiya Yankovskaya
5 pieces since 2020 — at 3 companies, most often at Wolf Trap.
5
pieces
3
companies
7
years
Everything the light touches
Like Emily discovering her gift in The Weight of Light, Vanguard fellows (ideally) come through a process of intense multivocality with a stronger sense of their own individual voice.
Empty chairs
The fourth production of Santa Fe Opera’s 66th Festival Season that opened on Saturday June 22 offered a multitude of firsts.
Shoot your shot
Director R.B. Schlather deftly walks a porous boundary, casting this primordial paroxysm of Germanness as a dialogue between its naïve and moralistic narrative with its outsized legacy.
Body and soul
Ultimately, the unrelenting grimness of the subject matter allied to the sameness of the vocal writing made for a wearying evening.