The revolution will be digitized
The (R)evolution of Steve Jobs at the Kennedy Center: not a poorly made opera, but so relentlessly mid.
5 pieces since 2020 — at 3 companies, most often at Wolf Trap.
The (R)evolution of Steve Jobs at the Kennedy Center: not a poorly made opera, but so relentlessly mid.
Like Emily discovering her gift in The Weight of Light, Vanguard fellows (ideally) come through a process of intense multivocality with a stronger sense of their own individual voice.
The fourth production of Santa Fe Opera’s 66th Festival Season that opened on Saturday June 22 offered a multitude of firsts.
Director R.B. Schlather deftly walks a porous boundary, casting this primordial paroxysm of Germanness as a dialogue between its naïve and moralistic narrative with its outsized legacy.
Ultimately, the unrelenting grimness of the subject matter allied to the sameness of the vocal writing made for a wearying evening.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.