Sing out, Louise
Christof Loy‘s Louise in Aix-en-Provence scratches at the urban– and operatic– unconscious
Katie Mitchell
13 pieces since 2011 — at 1 company, most often at Royal Opera House.
13
pieces
1
company
16
years
By company
Another op’nin’, another show
Opera San José (OSJ) is continuing the second half of its 41st season with a company premiere of Béla Bartók’s Symbolist opera Bluebeard’s Castle (A kékszakállú herceg vára), with a libretto by his friend and poet Béla Balázs, and OSJ truly spared no effort to make the occasion a memorable one.
Unconscious coupling
Pelléas and Mélisande are not transparent to themselves. Which means: they each have an unconscious.
Guys who sing high (and others)
A stack of noteworthy recent baroque vocal CDs on my desk has been staring at me for weeks, so I’m tackling them on Handel’s birthday before the Met roars back into action beginning this weekend.
Close encounters
Zauberland: An Encounter with Schumann’s Dichterliebe touched on themes of forced migration, loss, exile, and dehumanization.
All is forgiven
Why do we go to the opera? Because the world needs a reminder of the power of forgiveness, particularly in these dark and gloomy times!
Dark shadows
Those who want a rethought Lucia to allow the heroine more sense of agency will be especially confounded at Laurent Pelly’s reading.
Lovely and never violent
There was a lot expectation about the new opera by George Benjamin and Martin Crimp. Their previous collaboration, Written on Skin, was an enormous critical and public success, earning the work a place in the exclusive club of 21th century classics with selected works by Saariaho, Heggie and Birtwistle.
What women want
Psychology is encoded in the composer’s vocal lines more than his librettist’s words.
C’est une chanson qui nous ressemble
In September, Finnish National Opera gave the world premiere of Höstsonaten (Autumn Sonata), based on Mr. Bergman’s 1978 study of a troubled mother/daughter relationship.
Everything is illuminated
Few new operas have received the near-unanimous acclaim that has greeted Written on Skin since its first performance at the 2012 Aix-en-Provence Festival.
Take another little piece of my heart now, baby!
George Benjamin’s 2012 opera Written on Skin received great acclaim at its opening at the Festival d’Aix-en-Provence, and the Royal Opera quickly mounted it in March 2013.
Lion in winter
When is a DVD recording of a performance without audience more desirable than a CD? Perhaps when the greatest performer of Schubert’s Winterreise cycle is the singer in this DVD. Watching Dietrich Fischer-Dieskau perform with Alfred Brendel at the piano is to experience the intensity and variety of the cycle in a more personal setting, […]