David Lang’s Prisoner of the State, which was premiered on Thursday night by the New York Philharmonic, places the issue of mass incarceration front and center, foregrounding the violence of the prison system, both physical and psychological.
My first experience with John Corigliano’s music was in high school with the ear and mind blowing score he wrote for Ken Russell’s film Altered States.
The crossover album: a hint that that an artist has either exhausted all the repertory at her command and owes her record label a new release or that her waning vocal resources really shouldn’t be taxed much further than an octave.
Ah, the “themed” recital disc! Sometimes it’s a special treasure in a collector’s trove showing off the lesser known skills of a beloved performer; more often, an object of mirth and ridicule toward those who’ve been ill-advised or have already committed most of their repertoire in the studio and are now starting in on someone…
La Cieca is sure that her cher public will not want to miss Sunday morning’s (4:30 AM) screening of the camp classic Yes, Giorgio. This 1982 crossover attempt by Luciano Pavarotti (from tenor to matinee idol) must have sounded like a good idea at the time, but, fortunately for music lovers, the film flopped mightily,…
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
×
Sign up for Parterre’s free newsletter.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.