Miss me blond
From the technical standpoint San Francisco Opera’s Billy Budd was pretty much flawless.
10 pieces since 2014 — in 5 roles, at 3 companies, most often at MasterVoices.
From the technical standpoint San Francisco Opera’s Billy Budd was pretty much flawless.
Why did Ted Sperling and MasterVoices choose to perform an old warhorse like Carmen which has been produced almost continuously over decades just up the street at Lincoln Center?
In San Francisco Opera’s new Così fan tutte, the elements that most visibly read as “American” were a penchant for slapstick humor, overcooked blocking, and an abundance of cartoonish period costumes that hobbled the opera’s first act.
Christopher Cerrone and Stephanie Fleischmann‘s opera at the Prototype Festival re-sets Rashomon in the Pacific Northwest and binds its characters into a hellish cycle of violence with a dark, hypnotic score
Marc-Antoine Charpentier came along at the wrong time for a composer of French opera.
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