This wine tastes funny This wine tastes funny

Confused dramaturgy dampens an otherwise sparkling night of singing in Opera Baltimore’s Lucrezia Borgia.

Robber barons Robber barons

A revival of the furious I masnadieri at the Bayerische Staatsoper falls short of perfection – and there’s nothing wrong with that.

Flower maiden Flower maiden

Erin Morley closed Vocal Arts DC’s season on May 13th with a recital in the Kennedy Center’s Terrace Theater, partnered by pianist Gerald Martin Moore.

The color of Monet The color of Monet

When I saw that Richard Bonynge AC CBE, conductor and musicologist supreme, had authored a book titled Chalet Monet about the home he shared with his wife, La Dame Joan Sutherland OM AC DBE, in Les Avants, Switzerland I practically had to wipe my chin.

One goddess, one Hallenberg! One goddess, one Hallenberg!

Although I usually pretend that I don’t have the diva-worship gene, sharp-eyed readers of parterre box will know that since I joined the site in 2011 as “DeCaffarrelli” I have often swooned as an Ann Hallenberg-fanboi.

Das Süsses Mädel and the Boy from Berlin Das Süsses Mädel and the Boy from Berlin

Diana Damrau has chosen for her new Erato recital disc Grand Opera 11 high-flying showpieces from ten operas by Giacomo Meyerbeer.

Top hatters Top hatters

Christopher Alden‘s production of Handel’s Partenope is so erudite and theatrically audacious and also such a rollicking ride, it’s hard to believe it isn’t crap.

Robber soul Robber soul

C-Major continues their full frontal attack on the Verdi catalogue with this release of I Masnadieri which, I’m thrilled to report, does not hail from the Teatro di Regio in Parma like the previous aspirants. We’ve travelled south to Naples and the Teatro di San Carlo and we’re all the better for it as the…