It all began tonight
West Side Story opened LA Opera’s 40th anniversary season with fury and flair
59 pieces since 2009 — at 9 companies, most often at LA Opera.
10 pieces as Los Angeles Opera — stats above show all coverage for James Conlon.
View allWest Side Story opened LA Opera’s 40th anniversary season with fury and flair
Out of sheer morbid curiosity last evening I pulled up the “orders” page of my Amazon account and searched Otello to discover that over the past 11 years. I’ve ordered 15 items with that title (one as recently as last night!)
This was by far my most satisfying experience with Pelléas et Mélisande for a multitude of reasons and I encourage anyone who’s even mildly curious to find their way to the Music Center for a very rich experience.
Trove Thursday completes its Prévost–trifecta with Puccini’s Manon Lescaut starring Sondra Radvanovsky and (pre-Met) Aleksandrs Antonenko conducted by Riccardo Chailly plus an added Radvanovsky-Puccini bonus: Suor Angelica.
La Traviata offered a cast of fresh debutantes and an uncommonly strong musical performance that could hardly be bettered.
When you attend a performance of Georges Bizet’s Carmen you can never be quite certain which one you’re in for.
Hopefully the assignment of Herman Melville’s endless whaling opus Moby-Dick as compulsory reading for High School students is a thing of the past.
James Conlon, Music Director for the LA Opera, often does the pre-game lecture in the huge open space on the second floor lobby of the Dorothy Chandler Pavillion and it’s almost always a standing room only crowd.
My first experience with John Corigliano’s music was in high school with the ear and mind blowing score he wrote for Ken Russell’s film Altered States.
Being an opera lover in Los Angeles is a lot like being a Red Sox fan. As hard as they try we never make it to the World Series, let alone the playoffs.
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