Jacques Imbrailo
9 pieces since 2011 — in 4 roles, at 6 companies, most often at Glyndebourne.
Role Billy Budd
Billy’s club
When Winston Churchill was First Sea Lord, the story goes, an indignant admiral accused him of violating British naval tradition, to which Churchill replied that the only traditions of the British Navy were rum, sodomy and the lash.
Ship of fool
After the Georges Antheil opera that was my first assignment from La Cieca, I have to confess feeling slightly relieved when I opened the parterre package to find: Billy Budd! And not only a Billy Budd, but one starring John Mark Ainsley! The rest of the cast looked similarly starry (pardon the pun), so I […]
Role Hamlet
Sweet prince
South African Jacques Imbrailo’s high-lying baritone did much to highlight the lyrical possibilities of the title role of Hamlet, originally conceived for a tenor.
Role Horatio
Resisting the recognizable
It was Matthew Jocelyn’s libretto, with its disorientingly deconstructive approach to its source text, that gave Brett Dean’s Hamlet its identity.
Role Joachim Messner
Dangerous liaisons
There was a certain frisson in the air entering Chicago Lyric Opera last night, and not just in anticipation of attending the world premiere of a new work by Jimmy Lopez (music) and Nilo Cruz (libretto), Bel Canto.