High and dry
Ilana Walder-Biesanz reports from The Santa Fe Opera, where Tobias Picker‘s latest opera falls short, a new Rodelinda scintillates, and sumptuous singing abounds across the entire repertoire.
43 pieces since 2011 — in 11 roles, at 11 companies, most often at Metropolitan Opera.
6 pieces as Bertarido — stats above show all coverage for Iestyn Davies.
View allIlana Walder-Biesanz reports from The Santa Fe Opera, where Tobias Picker‘s latest opera falls short, a new Rodelinda scintillates, and sumptuous singing abounds across the entire repertoire.
There is a strong case to be made that George Fridrich Handel is the composer most suited to the present moment.
I can still vividly remember the first time the music of George Frideric Handel made an impression on me.
While it must be admitted that Elza van den Heever doesn’t have an ideally warm and agile Handel voice, she evidenced fierce control over her instrument and skillfully built a powerful portrait of the courageous Rodelida fighting for her survival.
Sunday is Handel’s 335th birthday, an event Trove Thursday celebrates with Rodelinda, Regina de’Longobardi, one of the composer’s most popular works.
I half-wanted to dislike it; my expectations were very low. Renée Fleming in the Baroque, after her very uncertain recent outings in bel canto! Let’s face it; this year, her Rossini (Armida) and Donizetti (Lucrezia Borgia) did not cover her in glory. How, at this HD relay on December 3, would she cope with Handel’s […]
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