Denise Duval should have made it to the Met
I decided I’d take ‘never made it to the Met’ as an excuse to submit a post about why French soprano Denise Duval (1921-2015) is special to me.
6 pieces since 2010.
I decided I’d take ‘never made it to the Met’ as an excuse to submit a post about why French soprano Denise Duval (1921-2015) is special to me.
Kennedy Center could not have predicted just how aptly Saturday evening’s rescheduled recital of 2020 Marian Anderson Award winner, baritone Will Liverman, would respond to the moment.
It’s a pity that Francis Poulenc took so long to getting around to compose his operas.
Sandrine Piau‘s lovely recital with pianist Susan Manoff at The Philadelphia Chamber Music Society on February 14 entered around the themes of sleep, dreams and waking.
Deutsche Grammophon has a new hunk on the market, ignoring the fact that he’s been around for twenty years. Ildebrando d’Arcangelo has been steadily building a career since the early 90s, getting a reputation as a reliable, intelligent artist with a supple bass-baritone. He has a lengthy career of singing with the greats under his […]
“Parade” is defined simply by the Merriam-Webster Dictionary as “a pompous show.” Fitting enough, then, that the triple bill titled Parade: An Evening of French Music Theatre recorded at the Met on March 16, 2002 consists of Erik Satie’s ballet Parade, Francis Poulenc’s Les Mamelles de Tirésias, and Maurice Ravel’s L’Enfant et les Sortilèges. These […]
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