Shadows on the silver screen Shadows on the silver screen

Strange as it is to encounter two such disparate works presented with the identical production concept, it’s odder still that the opera you’d think would be the slam dunk is anything but.

And to top it all off, the volcano erupts And to top it all off, the volcano erupts

the strip on my first and, so far at least, only visit to Las Vegas a few years ago, I noticed what to me was a most unexpected sight and startled my companions by pointing out the window and shouting “Auber!”

Puccini three ways Puccini three ways

Puccini’s evening of one-act operas Il Trittico seems to be riding a wave of popularity over the last few years, with a new production at the Met and several high-profile productions in America and Europe.

Questo Weimar rosso Questo Weimar rosso

The case for this DVD production of Puccini’s La Boheme from Opera Australia is all about the “inspired concept” of director Gale Edwards to move this oft-told tale from 1840’s Paris all the way to the Berlin at the end of Weimar-era Germany. Hmmm.

Del primer pianto

Classical music writer and opera critic Robert Levine has written a very pleasant new book, Weep, Shudder, Die, A Guide to Loving Opera, published by HarperCollins Books.  Levine sets up the book’s premise early in his introduction: “Could singing… make one, as the composer Vincenzo Bellini said, ‘weep, shudder, die’ and at the same time…

Anna, in her own words

I was on the bus to Nürnberg today on the way to do Wagner tourism and hear Herr Sacro Fuoco tomorrow, and on the way I translated the juicy bits of the full print edition Anna Netrebko article… I was going to post it as a comment but it turns out I thought a lot…

Worth the wait

Arthaus Musik has released on DVD a superb 1963 “Historical Studio Production” of Der Konsul, a German language filmed version of Menotti’s 1950 opera, The Consul. It is a dark, harrowing vision of Menotti’s “denunciation of all forms of tyranny”, beautifully sung, superbly acted, and directed with an almost film noir/expressionistic style by Rudolph Cartier.…

The boys in the back room

“The American Way of Life, lightly satirized, lies at the heart of our production: it is an adventure that takes place somewhere between Wall Street and Hollywood.” Nikolaus Lehnhoff, as can be surmised from these liner notes, makes full use of stereotypically “American” imagery throughout his production of Puccini’s La fanciulla del West:  Wall Street…

These three

A recent production of Il Trittico, recorded in Modena, was originally published on DVD by TDK two years ago. However, its new release on Blu-ray — along with the attention this Puccini masterpiece has received thanks to a handful of recent high-profile productions — has prompted me to take another look. Although this video was…

Cherry picking

“Voglio essere giudicato per la musica e nient’altro che per la musica.” “I want to be judged for my music and nothing but my music.” This phrase, which Mascagni himself wrote to his publisher Sonzogno, is the key to understanding the very essence and existence of L’amico Fritz (1891). Cavalleria rusticana, Mascagni’s first performed opera,…

Canon fodder

Edgar has always been the odd man out in the Puccini canon, lying well outside the standard rep. The recent discovery of forty minutes of additional music is likely to do little to change that, but the find was momentous enough to merit a world premier of the newly restored Four Act version of Puccini’s…

Dawn of the Philistines Dawn of the Philistines

I’m not sure who I find more annoying – the partisans who vigorously defend Luc Bondy‘s production of Tosca at the Met or those who decry it.  As Bondy’s production replaces one of the Met’s signature offerings, both groups have seized on this event as a watershed event in the history of opera in America…

The importance of bad art

To cut to the chase: the creation of art is a risky business. There are few guarantees of quality, of profundity or of the longevity of the work’s appeal. The creation of any sort of art is therefore an experiment, and as with a scientific experiment, failure is a possible outcome. Failure, then, is one…

Queen of the Pirates

[This article originally appeared in the print zine precursor to this site, one of a series of surveys of live recordings by critic Leila de Lakmé.] Leyla Gencer. The very name is exotic. She was an artist of Turkish ancestry who, during the 1950s and 60s, held her own despite the presence of Maria Callas,…