Aria Force One
Ahead of the world premiere of Lincoln in the Bardo next week, Carmen Paddock looks at how presidents in opera can be both symbols of an idealized past and trenchant commentaries on the present.
4 pieces since 2017.
Ahead of the world premiere of Lincoln in the Bardo next week, Carmen Paddock looks at how presidents in opera can be both symbols of an idealized past and trenchant commentaries on the present.
Do we do what we have to do? Or do we have to do what we do?
Promenade is a powder keg but the powder may not be as explosive as it hints.
Composer/librettist David Hertzberg’s The Rose Elf, which gave its world premiere in the Green-Wood Cemetery Catacombs last weekend, is indeed a marvel of elfin proportions.
A dozen women or more talk and sing about all sort of important and exciting things, with “a man” near the bottom of their list of priorities.
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