The rest is silence
Despite the diminishing returns of her vocal means, Edita Gruberova‘s last years of her career were if anything more successful than ever.
Friedrich Haider
8 pieces since 2011.
8
pieces
16
years
Close as pages in a book
I had no idea whatsoever of the reality of the life of this strong, vibrant woman I had gotten to know, the traumas she suffered; the extent and the horror of her experiences was all very surreal to me.
Star quality
The 1990s effectively signaled a new phase in Edita Gruberova‘s career with her undertaking more demanding, heavier roles, while still essaying Zerbinetta and Lucia.
Suspended in time
You know in some of those old Jeanette MacDonald movies where she plays a prima donna and receives applause in a public setting? That’s just what happened when the three of us walked into that restaurant, one patron calling out “Brava!”
An idea so bold and crazy
I proposed to Edita that we turn my 20-page paper into a book, a musical biography.
The trouble with Norma
If one looks at trends in the last 40 or so years, the most successful Normas are mainly those who’ve made not just bel canto, but Bellini as a mainstay in their repertoire.
Off the beaten track
If a new release of Verdi songs from Telos masquerades as a vanity project by Diana Damrau, the packaging takes the blame. Despite a starring place on the slip cover and top billing, Damrau sings less than a third of the tracks. It’s a pity, because she clearly found something of interest in the works […]
Win a Free Ticket to Opening Night at the Met!
Quinn Kelsey and Lise Davidsen star in the Met's new Macbeth. We're giving away one ticket, so screw your courage to the sticking place and enter now!
I’ll take the fall
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).
