The discreet charm of the bourgeoisie
This July, Munich played host to hordes of football fans in town for the European Championship—and arguably the two finest working sopranos today.
Franz-Josef Selig
15 pieces since 2012 — in 10 roles, at 9 companies, most often at Metropolitan Opera.
15
pieces
10
roles
9
companies
15
years
By role
Role Arkel
Back to the beach
Now it’s time to grab Albert Einstein for a lengthy swim.
Role Bass
Dona nobis pacem
A Missa Solemnis to celebrate 125 years of Boston’s Symphony Hall was sophisticated and subdued.
Unheard prayers
Our Own Jungfer Marianne Leitmetzerin gets serious for a moment, or rather for about an hour and a half, with a performance of Beethoven’s Missa Solemnis led by Christian Thielemann.
Role Daland
A dark drab dud
I never imagined I’d see such a rote park-and-bark Wagner production created in 2020!
Gewitter und Sturm
The wild tempest that whipped and drenched the audience as it exited the Met after Tuesday’s season premiere of Wagner’s Der Fliegende Holländer mirrored the finer features of the evening.
Role Gurnemanz
Casual Friday
The symbolism and themes of suffering and redemption in Parsifal have provided catnip for more than a few oddball stagings filled with Regie excesses.
By Adriel
5 comments
Role Hunding
Winterstorms that go bump in the night
A hefty thunderclap shook Tanglewood’s Koussevitzky Shed just as Andris Nelsons raised his baton for the third act of the weekend’s concert Die Walküre.
Role Osmin
Captive audience
Die Entführung aus dem Serail has been a bit of an unruly child recently, with productions by Neuenfels and Bieito dividing audiences and inspiring critics like Heather MacDonald to lengthy manifestos.
Role Pope Pius IV
For art’s sake
Few operas scream “summertime easy listening” like Pfitzner’s Palestrina—all 225 minutes of it—so Trove Thursday presents a performance from the Royal Opera’s 1997 New York visit conducted by Christian Thielemann.
Role Rocco
‘Don’ or dinner party
A revival of Peter Konwitschny’s rightly legendary Don Carlos and Dmitri Tcherniakov’s confounding new Salome: both turned out to be unforgettable!
Role Sarastro
A grandeur night for singing
“Die Zauberflöte is an opera!” “No, it’s the first musical comedy!”
Role Seneca
Stealing Rome
L’incoronazione di Poppea nearly disappeared from the stage completely after its 1642 Venice premiere and a Naples revival in 1651.