A favorite bass performance from Cornelia A favorite bass performance from Cornelia

I don’t know if I’ll ever hear as great a performance as René Pape‘s Gurnemanz.

Dona nobis pacem Dona nobis pacem

A Missa Solemnis to celebrate 125 years of Boston’s Symphony Hall was sophisticated and subdued.

The discreet charm of the bourgeoisie The discreet charm of the bourgeoisie

This July, Munich played host to hordes of football fans in town for the European Championship—and arguably the two finest working sopranos today.

‘Don’ or dinner party ‘Don’ or dinner party

A revival of Peter Konwitschny’s rightly legendary Don Carlos and Dmitri Tcherniakov’s confounding new Salome: both turned out to be unforgettable!

For art’s sake For art’s sake

Few operas scream “summertime easy listening” like Pfitzner’s Palestrina—all 225 minutes of itso Trove Thursday presents a performance from the Royal Opera’s 1997 New York visit conducted by Christian Thielemann.

A dark drab dud A dark drab dud

I never imagined I’d see such a rote park-and-bark Wagner production created in 2020!

A grandeur night for singing A grandeur night for singing

Die Zauberflöte is an opera!”  “No, it’s the first musical comedy!”

Winterstorms that go bump in the night Winterstorms that go bump in the night

A hefty thunderclap shook Tanglewood’s Koussevitzky Shed just as Andris Nelsons raised his baton for the third act of the weekend’s concert Die Walküre.

Der Meisterdirigent Der Meisterdirigent

Christian Thielemann is widely regarded as our time’s preeminent master of the Austro-German symphonic ensemble.

Back to the beach Back to the beach

Now it’s time to grab Albert Einstein for a lengthy swim.

Gewitter und Sturm Gewitter und Sturm

The wild tempest that whipped and drenched the audience as it exited the Met after Tuesday’s season premiere of Wagner’s Der Fliegende Holländer mirrored the finer features of the evening.

Unheard prayers Unheard prayers

Our Own Jungfer Marianne Leitmetzerin gets serious for a moment, or rather for about an hour and a half, with a performance of Beethoven’s Missa Solemnis led by Christian Thielemann.

Stealing Rome Stealing Rome

L’incoronazione di Poppea nearly disappeared from the stage completely after its 1642 Venice premiere and a Naples revival in 1651.

Captive audience Captive audience

Die Entführung aus dem Serail has been a bit of an unruly child recently, with productions by Neuenfels and Bieito dividing audiences and inspiring critics like Heather MacDonald to lengthy manifestos.

Casual Friday Casual Friday

The symbolism and themes of suffering and redemption in Parsifal have provided catnip for more than a few oddball stagings filled with Regie excesses.