I feel that any singer attempting crossover would do well to listen to Perry Como to hear how it should be done.
To give an idea of how well Perry Como was able to “assume” different vocal identities, here he is doing his mega #1 1953 hit, “Don’t Let The Stars Get In Your Eyes.”
In observation of the 110th birthday of Perry Como, May 18, 1912.
The mixture of romance and realism in Sondheim songs, the revelation that while love could be grand and passionate it could also be mundane or inconvenient or mistimed or just plain embarrassing, was such a relief.
The flawless, classical singing style of Perry Como. Perry Como?
In the final installment of this interview, the star discusses the enduring appeal of Carousel.
The Manchurian Candidate is indeed operatic: outsized characters, a doomed love story and a narrative fraught with suspense.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
×
Sign up for Parterre’s free newsletter.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.