Those in glass houses Those in glass houses

Krzysztof Warlikowski‘s Der Rosenkavalier at the Théâtre des Champs Elysées surpasses even Nigel Wilkinson‘s high ‘WTF threshhold’

Ceaselessly beautiful Ceaselessly beautiful

With the phenomenal cast that stacked Paris Opera’s production of I Capuleti e i Montecchi , it was easy to overlook the quirks of Bellini’s opera and get lost in the pleasures of glorious bel canto singing.

Kitchen confidential Kitchen confidential

Since 1985, from the Chicago Symphony at Carnegie Hall to the Welsh National Opera visiting BAM and from Chicago Lyric to New York City Opera to the Met, I’ve never encountered a bad Falstaff—or one that didn’t astound and delight me. 

Another Hun bites the dust Another Hun bites the dust

Verdi’s Attila is hardly a rarity in Italy the way it is in the United States.

Money on the dresser Money on the dresser

“Hailed ‘the Meryl Streep of opera’…” begins one sentence of a promotional piece for a Diana Damrau recording of another opera, reproduced on the soprano’s website.

Wish upon a star Wish upon a star

At what moment does a “rising star” become simply a “star”?

Lost and found Lost and found

Verdi must have gotten tired of tossing and turning by now and has gone back to resting in peace.

Moon and stars Moon and stars

One of the major complaints about the five year casting system (as well as the shared productions by different companies) is that operatic events are rarely surprises anymore.

Lost in space Lost in space

It’s rare to encounter a video of an opera that has zero redeeming qualities, but I think I might have found it: the latest Arena di Verona La Traviata.

Jest the way you are Jest the way you are

I’m happy to report that Rigoletto from the 30 DVD Tutto Verdi set from the Teatro Regio di Parma is a blockbuster.

Puccini three ways Puccini three ways

Puccini’s evening of one-act operas Il Trittico seems to be riding a wave of popularity over the last few years, with a new production at the Met and several high-profile productions in America and Europe.

Joy in the morning

“Gioia!” is the title of Aleksandra Kurzak‘s debut aria recital, her first international release under a new exclusive contract with Decca Music Group, and—not surprisingly—this writer’s response to the soprano’s sparkling vocalism.   In the liner notes, the Polish soprano explains that the title of this recording was her agent’s suggestion: “He said that he can…