The new Norma
In a splashy new recording of Norma, Marina Rebeka “is doing something very untoward, and it appears destructive to her voice.” It has Niel Rishoi worried.
44 pieces since 2005 — in 9 roles, at 4 companies, most often at Metropolitan Opera.
In a splashy new recording of Norma, Marina Rebeka “is doing something very untoward, and it appears destructive to her voice.” It has Niel Rishoi worried.
I first went bonkers for Bellini’s masterpiece during the previous century when the Met remounted it for Joan Sutherland.
Did you know Unnatural Acts of Opera is the only all-opera podcast in the whole, uh, podosphere? Even better, this podcast features only live opera performances, preferably demented. Our opera this time is both live and demented, with even a soupcon of backstage drama to add an extra frisson. La Cieca presents the first act […]
On this day in 1968 mezzo-soprano Fiorenza Cossotto made her Metropolitan Opera debut as Amneris.
Trove Thursday offers a problematic yet fascinating work that would almost certainly not be staged today: Il Guarany by Carlos Gomes featuring João Gibin, Gianna d’Angelo, Piero Cappuccilli and Nicola Zaccaria.
“Trove Thursday” gives a preview of Saint-Saëns’s Samson et Dalila with a broadcast featuring an unexpected temptress—Dolora Zajick—who will celebrate the 30th anniversary of her Met debut next month.
Chris’s Cache sends Renata Scotto a valentine ahead of her 89th birthday next week with rare in-house recordings of eight (!) mid-career performances spanning 1971-1977.
“Trove Thursday” drafts a 1960s All-Star team for Verdi’s Il Trovatore broadcast from the Teatro Colón.
Opening night of La Scala in 1962 with Franco Corelli, Antonietta Stella, Fiorenza Cossotto, Ettore Bastianini, and Ivo Vinco.
Serious opera fan and internet pioneer Mike Richter died earlier this week.
The second half of Warner Classics’ Maria Callas Live Remastered set represents the years 1954 to 1964 in the career of La Divina.
With much laying-on of fanfares and gift boxes our friends at Decca Classics have unleashed Luciano Pavarotti Edition 1: The First Decade on a weary and satiated public.
“Trove Thursday” turns its Rossini-150 series to one of the composer’s least known but tastiest comic gems La Pietra del Paragone with Julia Hamari, Justino Diaz, Alessandro Corbelli, Claudio Desderi and Paolo Barbacini conducted by Roberto Abbado.
As said at the beginning, I implied I’d rather see Don Carlo(s) and listen to Forza.
Claudio Abbado made his Met debut on 7 October 1968 conducting Verdi’s Don Carlo, led five more performances through 14 November, and then never returned. Chris’s Cache offers the only complete recording I’ve run across from that run.
Chris’s Cache celebrates an “Easter in October” gala with five special pirate recordings of Cavalleria Rusticana from the Met featuring four prima donnas whose Santuzze never got a Saturday broadcast and one whose did: Giulietta Simionato, Fiorenza Cossotto, Régine Crespin, Rita Hunter and Mignon Dunn.
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