Seville servants
A muted and merry carousel ride out of feudalism in the Met’s production of Le nozze di Figaro
12 pieces since 2019 — in 7 roles, at 2 companies, most often at Metropolitan Opera.
8 pieces as Metropolitan Opera — stats above show all coverage for Federica Lombardi.
View allA muted and merry carousel ride out of feudalism in the Met’s production of Le nozze di Figaro
It’s autumn in New York, baby.
Like a sommelier of male entitlement, Peter Mattei paired with precision moves from a wide-ranging vocabulary of gesture.
Michael Spyres’s nobly moving Idomeneo wasn’t just a bravura triumph: singing strongly throughout, he brought more colors to his portrayal of the tortured king than I had experienced from others in the Ponnelle production.
Saturday’s performance of Le nozze di Figaro at the Met mined the humor from Mozart’s divine setting of Beaumarchais’s play about a crazy day in the Almaviva household.
What is there to say about the Franco Zeffirelli Bohème? What is left to say?
I was shocked to realize I hadn’t seen Don Giovanni at the Met since Michael Grandage’s stultifying production opened in 2011.
A 1985 broadcast of Don Giovanni featuring Cheryl Studer, Gundula Janowitz (as Elvira!), Krisztina Laki, Gösta Winbergh, Hermann Prey (in a rare outing as the Don) and Malcolm King conducted by Jeffrey Tate.
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