Nothing makes me feel better than Tosca
Suck it, Joseph Kerman: Puccini’s “Shabby Little Shocker” has outlived you and will probably bury us all.
37 pieces since 2006 — in 9 roles, at 4 companies, most often at Metropolitan Opera.
8 pieces as Metropolitan Opera — stats above show all coverage for Eva Marton.
View allSuck it, Joseph Kerman: Puccini’s “Shabby Little Shocker” has outlived you and will probably bury us all.
It used to be proverbial on the Met Opera Quiz, usually quoted by quiz master Edward Downes: “If you can’t remember where a certain plot event occurs … it happens in La Gioconda.”
On this day in 1987 the Met raised the curtain on Franco Zeffirelli‘s production of Turandot.
Trove Thursday remembers Edita Gruberová with live recordings of two of the three operas I heard her perform at the Met: a 1985 Munich La Traviata with Neil Shicoff and Wolfgang Brendel conducted by Carlos Kleiber and an I Puritani from Vienna 1994 featuring two other artists who recently left us too soon: Marcello Giordani and Dmitri Hvorostovsky.
I can’t think of an opera this year that I’ve enjoyed as much as Tuesday’s Met Macbeth, thanks especially to the smashing house debut of Italian soprano Anna Pirozzi as its blazing Madame M.
On this day in 1982 Eva Marton made her Met role debut as La Gioconda opposite Plácido Domingo, Bruna Baglioni and Cornell MacNeil.
“Trove Thursday” gives a preview of Saint-Saëns’s Samson et Dalila with a broadcast featuring an unexpected temptress—Dolora Zajick—who will celebrate the 30th anniversary of her Met debut next month.
Would exciting American dramatic soprano Christine Goerke be the next great ice-princess we have been waiting for?
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