Paris is always a good idea Paris is always a good idea

Though perhaps showing its age, a storied production of La bohème nonetheless makes a welcome return to the Los Angeles Opera

He plays the violin He plays the violin

This Bard production, led by Leon Botstein, makes the strongest possible case musically, dramatically and visually for Smetana’s opera Dalibor.

<em>The Women</em> are like that <em>The Women</em> are like that

A stylish and funny Così fan tutte at LA Opera is a pretty glam affair, according to Patrick Mack.

Small but mighty Small but mighty

One of the first things James Conlon did when he took over the reins as Music Director of LA Opera was create the “Recovered Voices” project, producing operas that had been suppressed by the Nazis.

City of angels City of angels

In spite of the fact that Rossini and his librettist Jacopo Ferretti removed all the magical elements from the story, therefore making it far easier to produce, there was more than enough enchantment in the singing, and intermittently in the production to enjoy.

Do you believe in magic? Do you believe in magic?

Remember that time you went to the opera and the whole evening was like magic? Saturday night at the Dorothy Chandler Pavilion probably ranks among my greatest nights in the theater and I’m finding the superlatives in my thesaurus inadequate to the task.

The Zoom Generation The Zoom Generation

The Metropolitan Opera National Council Auditions were one of the last events I attended in person in 2020. Now, one year on, the competition has returned, this time in an online format, and this time with an entirely new name: The Metropolitan Opera Eric and Dominique Laffont Competition, after the event’s new sponsors.

Strange magic Strange magic

We’ve had a mini-fest of director Barrie Kosky’s work this year at LA Opera.

If I had a photograph of you If I had a photograph of you

I’m certain I wasn’t the only one thrilled to bits to see LA Opera’s production of La Bohème finally retired after 26 years and seven mountings.

Truth, force Truth, force

I hardly know where to heap my praise first.

Triumphal Arc Triumphal Arc

Tchaikovsky’s Orleánskaia Djeva (The Maid of Orleans) kicked off Odyssey’s Opera’s fifth season

Ezio said than done Ezio said than done

Ezio was an inspired choice for Boston’s feisty Odyssey Opera to open its “When In Rome” festival.