Down for the Count
An uneven new cast can’t dim the glow of Richard Eyre‘s incisive Le nozze di Figaro at the Met
16 pieces since 2011 — in 8 roles, at 4 companies, most often at Metropolitan Opera.
8 pieces as Metropolitan Opera — stats above show all coverage for Elizabeth Bishop.
View allAn uneven new cast can’t dim the glow of Richard Eyre‘s incisive Le nozze di Figaro at the Met
A muted and merry carousel ride out of feudalism in the Met’s production of Le nozze di Figaro
Saturday’s performance of Le nozze di Figaro at the Met mined the humor from Mozart’s divine setting of Beaumarchais’s play about a crazy day in the Almaviva household.
Despite having lost its announced Cherubino, conductor and Count (the latter in the midst of rehearsals), the season premiere of Le Nozze di Figaro Saturday afternoon proved to be one of the most enjoyable Met Mozart performances I’ve attended in ages.
Saturday afternoon’s performance of Le Nozze di Figaro at the Met was awash with contradictions.
At the Metropolitan Opera’s Götterdämmerung on Saturday afternoon, the fires which consumed the Gods burned lukewarm.
That’s the exact word I’d use to describe Olga Peretyatko’s debut in I Puritani last night at the Metropolitan Opera: “calm.”
The hostile reaction to the Mary Zimmerman production of La sonnambula was well documented after the premiere in 2009.
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