Royal Hunt
I have been a devotee of Berlioz’s Les Troyens since I first discovered the Covent Garden recording conducted by Colin Davis.
9 pieces since 2010 — in 6 roles, at 3 companies, most often at Metropolitan Opera.
I have been a devotee of Berlioz’s Les Troyens since I first discovered the Covent Garden recording conducted by Colin Davis.
The Ralph Fiennes production of Eugene Onegin at the Paris Opera is just…fine.
Last night, the Met opened the 2013-14 season with a handsome, fairly conservative new production of Eugene Onegin by Deborah Warner that replaces the handsome, fairly conservative one by Robert Carsen. (The trend is clear.)
Is there any opera that can take more of a beating while still making an impact than Eugene Onegin?
Pytor Ilyich Tchaikovsky’s Eugene Onegin is his masterwork and its themes of social convention and unrequited longing surely struck a deep chord in a composer who, in late 19th century Russia, was gay and had to conduct himself carefully.
Is there a more gorgeous male voice before the public today than Peter Mattei’s? Has Anna Netrebko ever sounded better?
I was reminded at the Met’s season premiere of Eugene Onegin Friday night always to expect the unexpected.
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