A place in the sun
Friday evening’s Met premiere of Akhnaten was a resounding triumph and an outstanding testament to Philip Glass’s enduring operatic vision.
6 pieces since 2011 — in 6 roles, at 2 companies, most often at Metropolitan Opera.
Friday evening’s Met premiere of Akhnaten was a resounding triumph and an outstanding testament to Philip Glass’s enduring operatic vision.
“I didn’t think anything could be campier than Adriana. But this is nothing but camp. Adriana at least has tunes.”
Probably no more than 100 gathered Tuesday in a curtained-off space in the lobby of NYC’s Gershwin Hotel to witness the North American premiere of Rodrigo by operamission.
I’ve found myself procrastinating endlessly over this review. I’m always excited by the chance to hear recently composed operas, and have a weak spot for the American repertoire. So I had overly high hopes for Paul Salerni‘s Tony Caruso’s Final Broadcast. At first listen, I found myself underwhelmed, slightly off put by the blending of […]
The Met brought back 2019 smash Akhnaten last night, with nearly the exact same cast and creative team, and with nearly the same knockout effect of three years ago.
The legend of the mermaid is ancient, and recently scientists have theorized that these legends might have arisen when humans encountered marine mammals such as whales, seals, or sea lions.
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