The Met brought back 2019 smash Akhnaten last night, with nearly the exact same cast and creative team, and with nearly the same knockout effect of three years ago.
Friday evening’s Met premiere of Akhnaten was a resounding triumph and an outstanding testament to Philip Glass’s enduring operatic vision.
The legend of the mermaid is ancient, and recently scientists have theorized that these legends might have arisen when humans encountered marine mammals such as whales, seals, or sea lions.
Probably no more than 100 gathered Tuesday in a curtained-off space in the lobby of NYC’s Gershwin Hotel to witness the North American premiere of Rodrigo by operamission.
“I didn’t think anything could be campier than Adriana. But this is nothing but camp. Adriana at least has tunes.”
I’ve found myself procrastinating endlessly over this review. I’m always excited by the chance to hear recently composed operas, and have a weak spot for the American repertoire. So I had overly high hopes for Paul Salerni‘s Tony Caruso’s Final Broadcast. At first listen, I found myself underwhelmed, slightly off put by the blending of…
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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