A dark drab dud
I never imagined I’d see such a rote park-and-bark Wagner production created in 2020!
16 pieces since 2012 — in 15 roles, at 9 companies, most often at Metropolitan Opera.
4 pieces as Metropolitan Opera — stats above show all coverage for David Portillo.
View allI never imagined I’d see such a rote park-and-bark Wagner production created in 2020!
If Sunday’s performance of Magic Flute at the Met demonstrated one thing, it is that opera targeted at children must be just as good as (if not better than) opera targeted at adults.
The most distinct pleasure of The Merry Widow at the Metropolitan Opera was the polished, yet warm, performance of Susan Graham as Hanna Glawari.
Just because one can write an opera based on a film, does this necessarily indicate that one should?
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