Doublet trouble
A messy new I puritani at the Met is a historic and historical disappointment.
16 pieces since 2005 — in 9 roles, at 2 companies, most often at Metropolitan Opera.
7 pieces as Metropolitan Opera — stats above show all coverage for David Pittsinger.
View allA messy new I puritani at the Met is a historic and historical disappointment.
A wonderfully committed Ailyn Pérez and Gerald Finley at Saturday afternoon’s revival abetted by Emmanuel Villaume’s passionate conducting converted me to a Thaïs believer.
Another grim narrative of the Gelb years, and one I think is generally hogwash, is that the Met has (at least in theatrical terms) lost its way entirely.
James Levine: Celebrating 40 Years at the Met includes not only unreleased video performances on DVD but also live radio broadcasts on CD. This performance is one of the latter, originally heard April 19, 2003. The Rake’s Progress has one of the greatest operatic pedigrees of all time. It was inspired by a series of […]
Luc Bondy’s Tosca returned to the Met on Wednesday night with an entirely new set of principals and conductor. The new trio of principal singers, all making local role debuts, could not redirect and redesign the production but they could allow their individual talents to outshine their surroundings.
I have to confess that I overheard that line during the intermission of the Met’s new production of Amboise Thomas’s seldom-performed Hamlet based on Shakespeare’s oft-performed play. I couldn’t have said it better myself.
Four of the cher public caught yesterday’s HD presentation of Tosca and have agreed to share their impressions with La Cieca and the rest: “The death of Puccini’s Tosca was much exaggerated, in fact it did not take place.” “After about 34 years of going to the opera, I don’t think I’ve ever left a […]
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