Selvaggia e aspra e forte Selvaggia e aspra e forte

Pascal Dusapin‘s dynamic and demanding traversal of Dante‘s Commedia arrives at the Paris Opera

New kids from the bloc New kids from the bloc

If song recitals by opera stars Piotr Beczala and Asmik Grigorian sometimes came up short, Semyon Bychkov’s powerful rendition of the Glagolitic Mass instantly became one of the year’s highlights.

Jailbird song Jailbird song

If Zambello’s season-ending Turandot last year represented some of the best of what WNO can offer in the standard rep, this Fidelio was a regression to the mean.

Here a Leigh, there a Leigh Here a Leigh, there a Leigh

Judith Malafronte sits down with bass David Leigh who debuts as Rocco in Washington National Opera’s production of Fidelio next week

From a distance From a distance

The opening night of the Canadian Opera Company’s 2019-20 season was all about the Wilsons.

Nice nice baby Nice nice baby

“Tame” seemed to be the appropriate adjective to describe San Francisco Opera’s Carmen.

Murder on the orientation express Murder on the orientation express

Rufus Wainwright is determined to offer a spectacle and that intention overrides all other considerations.

The beautiful stage is empty The beautiful stage is empty

Two productions at the Aix-en-Provence festival shared one look.