The beautiful stage is empty
Two productions at the Aix-en-Provence festival shared one look.
8 pieces since 2017 — in 6 roles, at 4 companies, most often at Aix-en-Provence Festival.
Two productions at the Aix-en-Provence festival shared one look.
If Zambello’s season-ending Turandot last year represented some of the best of what WNO can offer in the standard rep, this Fidelio was a regression to the mean.
The opening night of the Canadian Opera Company’s 2019-20 season was all about the Wilsons.
Rufus Wainwright is determined to offer a spectacle and that intention overrides all other considerations.
Pascal Dusapin‘s dynamic and demanding traversal of Dante‘s Commedia arrives at the Paris Opera
“Tame” seemed to be the appropriate adjective to describe San Francisco Opera’s Carmen.
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