Soaring on multicolored wings
Eleanora Buratto at this fully matured point of her career has a warm, creamy full lyric soprano that has the roundness and sweet warmth of a Freni but can also expand into the spinto power of a Tebaldi.
9 pieces since 2013 — in 5 roles, at 2 companies, most often at Metropolitan Opera.
7 pieces as Metropolitan Opera — stats above show all coverage for David Bizic.
View allEleanora Buratto at this fully matured point of her career has a warm, creamy full lyric soprano that has the roundness and sweet warmth of a Freni but can also expand into the spinto power of a Tebaldi.
At Friday night’s performance of La Bohème at the Met, the cast seemed to lean into (and gamble upon) the production’s enduring popularity.
Madama Butterfly remains fascinating because of its complexity.
I am, perhaps instinctively, skeptical of those who commit suicide.
One of the major complaints about the five year casting system (as well as the shared productions by different companies) is that operatic events are rarely surprises anymore.
Every year I say I’m not going to another La Bohème because I’ve seen this too many times.
Life is not fair. There are rules that apply to Jonas Kaufmann, and rules that apply to everyone else.
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