In my very own private hell
No, we don’t really need another “Orpheus” opera. Or, rather, we don’t need this one.
3 pieces since 2017 — at 2 companies, most often at Metropolitan Opera.
No, we don’t really need another “Orpheus” opera. Or, rather, we don’t need this one.
A special program note for Saturday night’s performance of Matthew Aucoin’s new opera Eurydice pointed to a rare convergence of three MacArthur Grant fellows in its creation and staging.
So, how excited are you to read another piece about the Mary Zimmerman Rusalka?
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