In my very own private hell In my very own private hell

No, we don’t really need another “Orpheus” opera. Or, rather, we don’t need this one.

Raising genius Raising genius

A special program note for Saturday night’s performance of Matthew Aucoin’s new opera Eurydice pointed to a rare convergence of three MacArthur Grant fellows in its creation and staging.

Water, logged Water, logged

So, how excited are you to read another piece about the Mary Zimmerman Rusalka?