It takes a woman
The plight of two women, each from different backgrounds, was on full display in San Francisco opera houses last week.
58 pieces since 2013 — in 30 roles, at 13 companies, most often at Metropolitan Opera.
10 pieces as San Francisco Opera — stats above show all coverage for Christian Van Horn.
View allThe plight of two women, each from different backgrounds, was on full display in San Francisco opera houses last week.
On June 16, San Francisco Opera concluded their excellent Centennial Season with a heartfelt 100th Anniversary Concert, featuring a starry cast, three conductors (including current and former Music Directors) and the SF Opera Orchestra and Chorus.
From the technical standpoint San Francisco Opera’s Billy Budd was pretty much flawless.
Once again we got a very frustrating performance of Orlando; this time a beautiful and completely coherent production marred by some sub-optimal singing.
As I mentioned in a previous post, one of my two favorite operas is Les Troyens,
Three blocks from the opera house is a terrible time to realize there was homework.
It is easy to become overly identified with opera—as a cleverer friend of mine once noted: being a sports fan is an interest, but if you like opera, everyone thinks of it as a crippling obsession.
I would love to contribute a top ten list but I didn’t even go to ten things this year.
Imagine the good fortune of attending La Bohème with someone who’s never seen it!
Far be it from me to join the Schadenfreudian chorus of “Bye, Bye, Berti!” you may have been hearing in certain quarters, but the first thing I am duty-bound to report about San Francisco Opera’s Norma (of which three performances remain) is that they’ve hit the jackpot, coverwise.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.