Cuck and ball torture
On October 20th, a wet but warmish Friday night, the Metropolitan Opera opened this season’s revival of Verdi’s Un Ballo in Maschera in David Alden’s 2012 production.
27 pieces since 2012 — in 16 roles, at 9 companies, most often at Metropolitan Opera.
7 pieces as Metropolitan Opera — stats above show all coverage for Charles Castronovo.
View allOn October 20th, a wet but warmish Friday night, the Metropolitan Opera opened this season’s revival of Verdi’s Un Ballo in Maschera in David Alden’s 2012 production.
In the five short years that I’ve been in New York, I have seen that crusty old Franco Zeffirelli production of La bohème more times than I can count on one hand. And there are certainly times when that peeling mise-en-scène really shows its age.
What is there to say about the Franco Zeffirelli Bohème? What is left to say?
Our Own JJ catches up with the tail end of the Met season.
Plácido Domingo’s conducting reduced the score’s urgency to the lethargy of a jellyfish.
In Schikaneder’s patriarchal cosmology, darkness is the province of emotional women—not just the erratic fury of the Queen of the Night, but the pathetic supplications of Pamina as well.
One of the major complaints about the five year casting system (as well as the shared productions by different companies) is that operatic events are rarely surprises anymore.
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