Busyness as usual
Emilio Sagi’s production of The Barber of Seville is ungepotchket in the flesh.
5 pieces since 2015 — in 5 roles, at 2 companies, most often at San Francisco Opera.
Emilio Sagi’s production of The Barber of Seville is ungepotchket in the flesh.
Trove Thursday goes mini-epic with Gustave Charpentier’s naturalistic slice-of-life of fin-de-siêcle Paris in a rare 1999 Renée Fleming performance of Louise co-starring Jerry Hadley, Samuel Ramey and Felicity Palmer.
How does one make a performance of standard opera repertoire like Mozart’s Le nozze di Figaro feel “fresh?”
Opera Parallèle’s Harvey Milk Reimagined offers a fragmented portrait lacking the depth or coherence needed to honor Milk’s legacy
There comes a time where everything falls into place, and more importantly, when your head and heart are also in the right mindset. That’s when when the opera becomes cathartic, life-changing experience.
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