Everything new is old again
I see in Kimberly Akimbo an audacious idea, once unthinkable territory for a musical, which is realized through a highly imaginative and often unpredictable use of song and especially open-ended ensemble writing.
3 pieces since 2018 — in 3 roles, at 1 company, most often at City Center.
I see in Kimberly Akimbo an audacious idea, once unthinkable territory for a musical, which is realized through a highly imaginative and often unpredictable use of song and especially open-ended ensemble writing.
Promenade is a powder keg but the powder may not be as explosive as it hints.
Broadway’s new Head Over Heels is anything but under committed; it’s a show with an irresistibly fun spirit and an infallibly good heart.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.