Mozart for another time
Eagerly awaiting Met May Mozart Madness, Chris’s Cache presents a starry quintet of the master’s operas not being done next month.
114 pieces since 2006 — in 24 roles, at 9 companies, most often at New York City Opera.
11 pieces as New York City Opera — stats above show all coverage for Beverly Sills.
View allEagerly awaiting Met May Mozart Madness, Chris’s Cache presents a starry quintet of the master’s operas not being done next month.
Pauline Tinsley, who died May 11, made few commercial recordings; Trove Thursday offers the thrilling English soprano in excerpts over nearly two decades from nine works ranging from Handel to Richard Strauss.
Saturday marks the centenary of Julius Rudel’s birth which Trove Thursday celebrates with Le Coq d’or, Faust and Ariodante, a triple-bill showcasing his impressive versatility, featuring Beverly Sills and Norman Treigle, two of the most important artists he nurtured during his leadership of the New York City Opera.
Trove Thursday goes mini-epic with Gustave Charpentier’s naturalistic slice-of-life of fin-de-siêcle Paris in a rare 1999 Renée Fleming performance of Louise co-starring Jerry Hadley, Samuel Ramey and Felicity Palmer.
Now we find Mariella Devia, a diva held in near mythic regard due to her vocal longevity, with competing videos of two of her performances that were released, literally, on the same day.
A classic 1974 New York City Opera La traviata with Beverly Sills, John Stewart and Dominic Cossa conducted by Julius Rudel.
By the time Roberto Devereux saw its premiere at Napoli’s Teatro San Carlo on 29 October, 1837, Gaetano Donizetti had lost, in an 18-month time frame, both his parents, two still-born children, and his beloved wife Virginia.
Back when I was a good boy, I told my parents that my goal in getting my first job was to earn money for college; however, my real motive was to make my secret wish come true—to be able to consort with “pirates.”
To celebrate the 86th anniversary of her birth (25 May 1929), I bring to a close Beverly Sills’ traversal of the Donizetti “Tudor Queens” with this live Anna Bolena from 1973.
Our own Jungfer Marianne Leitmetzerin delves back into those days when there was another opera company in New York, and (what’s more) the opera done there was worth hearing.
La Cieca was cced the following letter sent by a “long-time patron of NYCO” in response to “the recently received Subscription Renewal Brochure.” She has withheld the patron’s name by request.
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