Better call Gaul
Bellini’s Norma Monday evening didn’t at all improve on the production it was replacing.
Bartlett Sher
44 pieces since 2008 — at 4 companies, most often at Metropolitan Opera.
44
pieces
4
companies
19
years
Star and garters
No amount of scholarly diligence has kept Les contes d’Hoffmann from being the messiest of all standard-repertory messes.
A little off the top
Beaumarchais clearly delighted in this unobtrusive realm.
Foolish love
The Met ushers out this wretched year and rings in the new with an elegant and effective new production of Charles Gounod’s Roméo et Juliette.
His cup runneth over
As portrayed by Vittorio Grigolo, Nemorino was a manic self-absorbed, probably bipolar, stalker who—against all odds and good sense—gets the poor girl.
Sher on this shining night
Bartlett Sher’s “new to Chicago” production of Romeo et Juliette came to the Lyric Opera at Monday’s opening after appearances at Salzburg and Milan.
Wrecking ball
Sir Richard Eyre’s new Manon Lescaut at the Met Friday night demonstrated no particular aptitude for opera.
A whiter shade of pale
While the celebrity-studded, expensively-dressed audience gathered for the gala opening of the Metropolitan Opera’s 2015-2016 season seemed genuinely enthralled by Monday evening’s performance of Otello, it was more likely swept away by the power of Verdi’s genius than by Bartlett Sher’s puzzling, inert new production.
A wasted time
Vittorio Grigolo in the title role of the Met’s revival of Les Contes d’Hoffman is the opera version of the charming homeless drunk.
A pretty boy milking his bows
This afternoon at the Met, Grigolo sold his performance like the rent was due tomorrow and he was down to his last penny.
No one who speaks German could be an evil man
If Frank Castorf‘s work on Der Ring des Nibelungen at Bayreuth accomplishes nothing else, it should serve as a sort of loud disorganized reminder of the dangers of indulging in the intentional fallacy.
First sip
UPDATE: A video preview of the new Elisir follows the jump.
Two ghosts
The ENO was filled with ghosts last week. Spectral, possibly illusory figures fleetingly materialized in the Internet chatrooms that provide the setting for much of Nico Muhly’s new opera Two Boys, and brutal boarding school memories came back to troubled life in director Christopher Alden’s dark take on Benjamin Britten’s A Midsummer Night’s Dream.
La Cieca’s favorite couple of sentences from that Vanity Fair piece, and why
“Volpe, who is 69, wants to set the record straight, now that Peter Gelb is being held up as the architect of a new, dynamic Met: with enough money, he too could have been creative. ‘Peter spends money in ways I never could,’ Volpe told me. ‘If I had Mercedes Bass and I could have […]
Der Musensohn
Our own Gualtier told tales and named names, in great detail, after Monday’s Les Contes d’Hoffmann dress rehearsal. Squirrel was at the premiere, and had a grand old time. Bartlett Sher‘s production lovingly displays the many dimensions of Offenbach’s inspired and charming opera. With perfect comedic timing, clarity of action, and real depth of feeling, even its few […]
Gualtier tells “Tales”
So, I was asking my friends with Met Opera insider connections about the new Hoffmann production directed by Bartlett Sher. Seemingly conceived under an unlucky star, this production first lost two of its four heroines when Anna Netrebko decided not sing Olympia and Giulietta but kept Antonia and also Stella, leaving the dramaturgy somewhat lopsided.
Lock Up Raw
The Met’s new production of Janacek’s From the House of the Dead sets high standards for the company, but as an indicator of the Gelb Era, it may be too good to be true.
European males talk among themselves
La Cieca sat in on the “Cognitive Theater” discussion tonight at the New York Public Library, and the main impression she came away with is that Patrice Chéreau is a very quiet, soft-spoken man who happens to be a genius. (She was expecting something more fiery, but like many of the great divas, it seems […]
previously
La Cieca thanks a particularly loyal member of the cher public for pointing out the most recent bit of hard-hitting arts coverage in the Wall Street Journal, as copied and pasted by that hardest of all arts hitters, Terry Teachout. La Cieca says “copied and pasted” because in this piece Teachout manages to blather on […]
I’ll take the fall
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).
Win a Free Ticket to Opening Night at the Met!
Quinn Kelsey and Lise Davidsen star in the Met's new Macbeth. We're giving away one ticket, so screw your courage to the sticking place and enter now!
