Trouble in paradise Trouble in paradise
The New York Gilbert and Sullivan Players‘s vivacious music making compensates for uninspired storytelling in their staging of Utopia, Limited.
Flower maiden Flower maiden

Erin Morley closed Vocal Arts DC’s season on May 13th with a recital in the Kennedy Center’s Terrace Theater, partnered by pianist Gerald Martin Moore.

Grown deep like the rivers Grown deep like the rivers

June is long gone. It was truly a month of excellence and exuberance here in San Francisco, coupled with cozy and inviting weather, as if to make up for the extended winter.

The Stuff and Nonsense Dreams Are Made On The Stuff and Nonsense Dreams Are Made On

The New York Gilbert And Sullivan Players is giving its umpteenth production of The Mikado through next Sunday at the Kaye Playhouse, and the show remains frisky and first rate.

The long listen The long listen

A conversation with maestro Gil Rose of Odyssey Opera.

Briefs encounter Briefs encounter

Trial by Jury was the operetta chosen by Lamplighters Music Theatre, the San Francisco-based Gilbert & Sullivan company, to close their 66th season.

A past recaptured A past recaptured

The New York Gilbert and Sullivan Players (NYGASP to its friends) is giving Sullivan’s most operatic score a dusting off (or should one say dusting-up?) at the Kaye Playhouse at Hunter College.

Virgin territory Virgin territory

When Arthur Sullivan (not yet Sir Arthur) composed his “dramatic oratorio” The Martyr of Antioch in 1880, he had just completed The Pirates of Penzance.

Sail, away

Sir Arthur Sullivan, the son of an Irish father and an Italian mother, studied Mendelssohn’s composition style in Leipzig. He was therefore, inevitably, the supreme English theater composer of his day, and his often Mozartean style of melody is not out of place in a bel canto festival. After all, in the fourteen operettas he…

Discounted Island

We’re going to be hearing a lot about pasticcios in the next seven months, as we run up to The Enchanted Island at the Met. We’d better get used to the idea, and what better way to do so than to go hear a home-made pasticcio at far lower prices? 

How jolly was my jenkin

I own almost every recording of the 13 operettas Sir Arthur Sullivan wrote with W.S. Gilbert ever made. Twelve Mikados, 14 Pirates of Penzance, 10 Iolanthes, right on down the line to the rarely heard Utopia, Ltd. I was a G&S fan long before I got into opera; when I was a teenager, their operettas…