Matthew Travisano has such doubts about Douglas Cuomo‘s opera recently seen at Opera Parallèle.
When asked to express some “thoughts” here about Verdi’s Il trovatore, my immediate thought was “hmm… not a lot to think about there.”
Power struggles, prejudice, feuds and revenge abound in San Francisco at the moment.
Mr. Wilson’s production concept, according to his liner notes, has more to do with Paris at the time of the premiere and a “world of memory” than it does with the storytelling of civil war in medieval Spain.
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