Sweet birds of youth
Buoyed by a cast of emerging stars, the Metropolitan Opera’s revival of Il Barbiere di Siviglia asserted a key trait of this ubiquitous buffo: it is a young person’s opera.
4 pieces since 2018 — in 3 roles, at 2 companies, most often at Washington National Opera.
Buoyed by a cast of emerging stars, the Metropolitan Opera’s revival of Il Barbiere di Siviglia asserted a key trait of this ubiquitous buffo: it is a young person’s opera.
The Barber of Seville turned out to be the most overall solid production of the year and even a bit of old-fashioned fun.
In 2022, making Così fan tutte intimate is not a radical act. Making it enjoyable, however, is.
At Friday night’s performance of La Bohème at the Met, the cast seemed to lean into (and gamble upon) the production’s enduring popularity.
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