Nabucco Nabucco

Daniele Callegari conducts George Gagnidze, Liudmyla Monastyrska, Maria Barakova, SeokJong Baek in the second of 14 (yes, 14!) performances of Verdi’s opera at the Met this season

Waltz time Waltz time

Happy 67th birthday actor Christoph Waltz

James Jorden, 1954-2023 James Jorden, 1954-2023

The writers of the Box and James’s friends are saddened to announce the death of the inimitable founder of Parterre Box

Aida Aida

Nicola Luisotti conducts Marina Rebeka, Elina Garanca, Yusif Eyvazov and Gabriele Viviani in a live broadcast from the Staatsopen Unter den Linden.

Cosa umana non sono Cosa umana non sono

On this day in 1968 soprano Marion Lippert made her Metropolitan Opera debut as Turandot. Six years later her Met farewell in the same role.

Turn and face the strange Turn and face the strange

How appropriate that the Met should present this supposedly “Jewish” opera after many in the audience had just spent twelve days immersed in the genuine article over the High Holy Days.

Do or dye Do or dye

On this day in 1966 baritone Walter Berry made his Metropolitan Opera debut as Barak

There is nothing like a dame There is nothing like a dame

Happy 88th birthday Julie Andrews

Ohne Ziel, ohne Rast Ohne Ziel, ohne Rast

Instead of following the story, we in the audience spend most of the evening thinking “What?? Why is that happening?”

Les Martyrs Les Martyrs

Donizetti’s Les Martyrs in a broadcast from Vienna with Roberta Mantegna, John Osborn, and Mattia Olivieri

I’ll cheer each toot I’ll cheer each toot

On this day in 1791 Mozart’s Die Zauberflöte premiered in Vienna

Tremens factus sum ego Tremens factus sum ego

One got a sense that the Met and the maestro directed most of the rehearsal and preparation toward the opening night premiere of the Heggie opus

Son io il poeta, essa la poesia Son io il poeta, essa la poesia

On this day in 1965 soprano Mirella Freni and tenor Gianni Raimondi made their Metropolitan Opera debuts in La bohème.

Nun of a kind Nun of a kind

“None of that sentimental crap, okay?”

Think different Think different

Bay Area composer Mason Bates’s and librettist Mark Campbell’s contemporary opera about the life of the tech mogul Steve Jobs came home “to the place where it all began” in spectacular fashion

Non chiedo in bontà di ritirarmi Non chiedo in bontà di ritirarmi

On this day in 1968 tenor Placido Domingo made his Metropolitan Opera debut as Maurizio in Adriana Lecouvreur

Verdi Requiem Verdi Requiem

From the Metropolitan Opera, Yannick Nézet-Séguin conducts Leah Hawkins, Karen Cargill, Matthew Polenzani, and Dmitry Belosselskiy in Verdi’s Requiem

Some unholy war Some unholy war

Rather than focusing on a narrative, Unholy Wars explores a series of timeless yet current themes: war, destruction, alienation, and what it means to be perceived as outsider—particularly from the Middle East—in the context of a violent world.

Divas and scholars Divas and scholars

Happy 66th birthday opera director Peter Sellars Birthday anniversaries of composers Cyril Scott (1879) and Vincent Youmans (1898) and musicologist Philip Gossett (1941)   Happy 83rd birthday soprano Josephine Barstow Happy 72nd birthday tenor Peter Dvorsky Happy 71st birthday tenor Chris Merritt

Dead Man Walking Dead Man Walking

Yannick Nézet-Seguin conducts Ryan McKinny, Joyce DiDonato, Latonia Moore, and Susan Graham in the season opening night and Metropolitan Opera Premiere of Jake Heggie and Terrence McNally’s Dead Man Walking.

Double take Double take

German opera-director Claus Guth has reimagined Schwanengesang as a series of scarred soldier’s visions in Doppelgänger, showing this week in at the Park Avenue Armory.

Wie stark ist nicht dein Zauberton Wie stark ist nicht dein Zauberton

Born on this day in 1930 tenor Fritz Wunderlich 

Dogecoin Dogecoin

In sum: not a perfect Simon Boccanegra—is there such a thing?—but a grand and often great one.

A madhouse is not a home A madhouse is not a home

David Devan may be leaving the company, but there can be no better living tribute to him than this extraordinary work, which in 90 minutes gives us everything we could want from a new opera